CRITIC REVIEWS
Antonio Galloni
The 2016 Latour is magnificent. Regal and nuanced, with tons of energy, the 2016 is immediately captivating. The bouquet announces an important wine, a feeling that builds through the wine's mid-palate. There's a real feeling of exuberance in 2016, and yet the wine remains quite classic in its structural composition. Beams of supporting tannin extend the effortless, beautifully persistent finish. Unforgettable.
Lisa Perrotti-Brown
Chateau Latour's 2016 grand vin is a knockout-perfectly encapsulating the estate's paradoxical signature of at once possessing jaw-dropping power with hauntingly gorgeous fragrance and finesse: Bordeaux's iron fist in a velvet glove. Very deep purple-black in color, the nose of the 2016 Latour is quite closed to begin, slowly unfurling to reveal chocolate-covered cherries, licorice, red roses and violets with Indian spices, blueberry compote, blackcurrant cordial and cigar box plus wafts of pencil lead and iron ore. Medium to full-bodied, the mid-palate explodes with densely packed black fruits and tons of earth, mineral and spice accents, with a super ripe, fine-grained frame and seamless freshness, finishing very long and seductively perfumed.
JancisRobinson.com
Full bottle 1,230 g. Grapes picked over a long interval of 22 September to 19 October. 54.6% Cabernet Sauvignon, 38.9% Merlot, 6.5% Petit Verdot. Dark, lustrous crimson. Very forward, come-hither and also energetic with the great advantage of this first growth's top-quality barrels - and attention to organic detail in the vineyard. That stony ripeness on the nose that characterises a good Pauillac with just a slight animal note. Pretty intense, sumptuous nose. Neat, dry palate that's distinctly lighter-bodied than its grander stablemates - just in case we thought we could get a Latour for a Pauillac price. But hugely appetising. With its sinewy (though not excessive) tannins, this is not a wine to sip without food. But based on my experience enjoying various early vintages of this wine, of which Hugh Johnson used to get a good supply when he was a director of Ch Latour, I wouldn't hesitate to keep it for another 10 years. The finish is really something. It just goes on and on!

